Ryabushkin Andrey – “Tea Party”
Year of painting: 1903. Painting dimensions: no data. Material: cardboard. Writing technique: gouache. Genre: genre painting. Style: realism. Gallery: private collection.
Year of painting: 1903. Painting dimensions: no data. Material: cardboard. Writing technique: gouache. Genre: genre painting. Style: realism. Gallery: private collection.
Year of painting: 1895. Dimensions of the painting: 204 x 390 cm. Material: canvas. Writing technique: oil. Genre: genre painting. Style: modern. Gallery: State Russian Museum, St. Petersburg, Russia.
Year of painting: 1903. The size of the painting: 48 x 26 cm. Material: cardboard. Writing technique: oil. Genre: portrait. Style: realism. Gallery: State Russian Museum, St. Petersburg, Russia.
Year of painting: 1907. Dimensions of the painting: 189 x 169 cm. Material: canvas. Writing technique: oil. Genre: genre painting. Style: primitivism. Gallery: Musée d’Orsay, Paris, France.
Year of painting: 1903. Painting dimensions: no data. Material: canvas. Writing technique: oil. Genre: historical painting. Style: romanticism. Gallery: Tyumen Museum of Fine Arts, Tyumen, Russian Federation.
Year of painting: 1897. Dimensions of the painting: 129.5 x 200.7 cm. Material: canvas. Writing technique: oil. Genre: genre painting. Style: primitivism. Gallery: New York Museum of Modern Art, New York, USA.
Year of painting: 1909. Dimensions of the painting: 146 × 97 cm. Material: canvas. Writing technique: oil. Genre: portrait. Style: primitivism. Gallery: State Museum of Fine Arts named after A.S. Pushkin, Moscow, Russia.
Year of painting: 1910. Painting dimensions: no data. Material: canvas. Writing technique: oil. Genre: allegory. Style: primitivism. Gallery: no data.
Year of painting: 1886. Dimensions of the painting: 106.9 × 89.3 cm. Material: canvas. Writing technique: oil. Genre: genre painting. Style: primitivism. Gallery: Art Museum, Philadelphia, USA.
The first work of Perov, painted after his return to Russia, was the painting “Seeing the Dead”. If the early works of Perov are an incriminating document with a detailed listing of evidence of existing evil, then the pathos of “Farewell to the Dead” is not an exposure of evil, but compassion for its victims….